A recording of Robert Zuidam’s McGonagall-Lieder, mentioned on this site a couple of months ago, has received a short review in The Independent. The reviewer is impressed with
the success of his setting of McGonagall’s two signature works, without stooping to ridicule beyond a subtly bathetic momentum of marimba […] The coloratura soprano Katrien Baerts conveys the hysterical jubilation with which the poet first acclaims the new Tay Bridge, then laments its collapse
You can read the full review here.
STOP PRESS: A rather longer review has appeared in The Guardian.